December 2nd, 2013 — Food and eating, Marketing
Would you like to increase the traffic on your marketing blog or copywriting web site through organic search results? Here is an accidental success story that may help.
I have another blog, Burnt My Fingers, which is specifically about food and cooking. It’s a fun, niche project and I have never worked too hard to pump up the metrics. But in the last 3 months my page views have increased by well over 100%. How come?
I wrote a post called “Why I’m not buying a Sansaire sous vide device” which was an offshoot of some earlier articles on this specialty cooking method. Well, turns out there is a lot of interest in this gadget and the buzz is only increasing as the holidays roll around. Do a web search for “Sansaire” as many shoppers might and there’s my post, close to the top of your search results. It looks like a negative review (it actually isn’t) so is just the sort of thing a shopper might want to read as part of their research.
The good news is that search links to this specific post account for only about 25% of my new page views. The rest are from the activity of users once they get to the site: they browse around to linked articles, then my recipes, which is exactly what you hope they would do if the article they came for is relevant to your core content vs. link bait.
The key to this accidental success story was finding a topic a certain audience wants to read about, vs something I wanted to write about. Think about the interests of your audience—then think about how you might mine that with catchy content that draws them to your site.
October 14th, 2013 — Everything else, Marketing, Words and writing
Dan Ariely is a professor of psychology and behavioral economics at Duke University, and also a consultant to the Wilde Agency. Yesterday he delivered an entertaining and eye-opening keynote called “Who Put the Monkey in the Driver’s Seat?” in which he documented irrational and yet predictable human behavior for the benefit of the direct marketers at DMA2013.
First example: statistics for organ donor signups in European nations. Organ donation doesn’t hit all the altruism hot buttons because it happens after you’re dead, and the recipient will never know who provided the life-saving transplant. So it’s not surprising that donations are close to zero in some countries, such as Germany. Yet in demographically similar nations, such as Austria, donations are close to 100%. The difference? In the high-donor nations people have to opt out at their DMV if they don’t want to donate and people will do almost anything to avoid doing something.
This buckslip produced a 588% lift.
Moving on to direct marketing: a large insurance company wanted to improve response for its affinity accidental death offer. So a chart was added on a buckslip, showing people that although they are eligible for $3 million in coverage at present they are only at $800K. It’s obvious at a glance that the reader is missing out. Given a reference point, response increased from 0.34% to 2%.
Another example is a response form for The Economist. Given the choice of an online-only subscription for $59, print-only for $125, or online plus print for $125, 84% opted for the last option. Who wouldn’t—it’s like getting online for free! But in fact it’s a significant upsell for anyone who was considering an online-only subscription. And when the print-only option was removed the numbers reversed: 68% went for online-only, vs only 32% for the online plus print combo.
Ariely poked fun at the direct marketer’s infatuation with Big Data.
As a creative practitioner, I eat this up. It’s one thing to sell your prospects through a positive reception of your carefully presented benefits, but much better if you can cement the sale by making them feel like they’ve gotten a great deal or they aren’t missing out. As to that organ donor stat, most of us have found that negative option offers (in which you have to opt out to keep something from happening) lead to poor pay-up, conversions and renewals. But if the consumer is dead, I guess that isn’t a problem. Fascinating stuff.
October 13th, 2013 — Marketing
I just arrived in Chicago for the Direct Marketing Association’s annual conference and have already seen a couple of great sessions and met some folks that made the whole trip worthwhile. (Also happened to walk down Michigan Avenue as the marathon was being run and got to see both the men and women winners.) If you’re here please email me via the contact form or tweet to @otisregrets and hopefully we’ll find a time to meet up.
I’m leading a panel at 10 am Wednesday with Dawn Wolfe of Autodesk and Philip Reynolds of Palio+Ignite. The topic is “KISS: Keys to Copy and Content that Generate Results” and we’ll talk about how to apply powerful and simple communications techniques to selling complex products. Attend and you will see and learn:
* A refi direct mail offer that was so successful, it drew a cease-and-desist order
* An insider’s view of ED (erectile dysfunction) advertising
* how to sell software through “gamification”
* and much more!
This is the last breakout session of the conference and the exhibit hall will have shut the day previous, so there’s absolutely no reason not to join us. See you one Wednesday October 16.
October 7th, 2013 — Marketing, Words and writing
Here is a great project for your copywriting class or inhouse brainstorming session: give everybody five minutes to write the best possible Twitter bio, which has to be 160 characters or less, including spaces.
Your Twitter bio is what shows up in another user’s inbox when you follow them and they make a split second decision about whether to follow you in return. The New York Times had a nice sidebar piece in which they join Slate and the Washington Post in anointing Hillary Clinton’s bio a superb example of the craft:
Wife, mom, lawyer, women & kids advocate, FLOAR, FLOTUS, US Senator, SecState, author, dog owner, hair icon, pantsuit aficionado, glass ceiling cracker, TBD …
It states her qualifications, though not in a pompous way. It veers off into some relevant light touches (Hilary’s lack of hair savvy and her predilection for pantsuits are well known non-presidential attributes) which are amusing without being frivolous.
A bio like that promises that the tweets also will be interesting, and that you may meet other cool folk by following her. It’s much more effective than a straightforward statement of qualifications, or an unabashedly promotional bio like the one Lady Gaga is currently running: BUY MY NEW SINGLE ‘APPLAUSE’ AND PRE-ORDER MY ALBUM ‘ARTPOP’ HERE NOW!
Before writing this post I checked my own neglected bio for @otisregrets and found it pretty terrible:
Results-focused ad copywriter; blogger about writing, marketing, customer service, technology and more.
I gave myself the five minutes and came up with:
I write direct response ads, web pages, emails, direct mail & whatnot. Gold Echo & Caples Silver Cup winner. Guilty pleasure: streaming bluegrass videos at work.
Some work qualifications hopefully written in a casual way… but I don’t like the personal aside because it might imply to some that I bill for time when I’m actually not working. (I don’t.) So I tweaked it to:
I write results-oriented ads, web pages, emails, direct mail & whatnot. Gold Echo & Caples Silver Cup winner. Read my blog for marketing tips & off-topic rants.
The blog’s a good call to action since that is indeed where I want the reader to go next, and the throwaway about “off topic rants” will hopefully garner curiosity. I’m sure I can do better but I only had 5 minutes. Let me know how you do on your bio.
August 28th, 2013 — Marketing, Non-profit, Words and writing
Beginning of the National Park Foundation’s email
Unfortunately, it’s an example of what NOT to do: The National Park Foundation saw the terrible wildfire currently out of control in Yosemite as a great opportunity to raise money for its cause. It’s exactly the same tactic used by The Salvation Army, The American Red Cross and many other charities which often have their best efforts on the heels of a disaster which triggers’ readers empathy and desire to help.
Unfortunately, as the NPF email was on its way to the coder some bone head saw the proof and said, “wait a minute, what about all the other parks? If they’re not in California, maybe they don’t give a hoot about Yosemite!” And so the “ask” was expanded to mention acts of vandalism, including green paint being splashed on the Lincoln Memorial.
I didn’t even realize the Lincoln Memorial was a national park, and it seems to me responsibility for cleaning it off (or keeping vandalism from happening) should rest with the local police. They then go on to tell us that there were 2,000 acts of vandalism in national parks last year and that the parks are underfunded. There’s also a reference to the fact this is the parks’ 97th anniversary and that the Travel Channel will match your gift. And they close with the unacceptably vague promise that a gift will “provide critical resources that directly aid and enrich our national parks and the work of the National Park Service.”
What should they have done instead? Leave the kitchen sink in the kitchen! In this case, a vastly stronger email could have been created by focusing entirely on Yosemite, saying how this makes us realize how precious our parks are and how much they need our support, and bringing in the Travel Channel match as exciting news that makes your gift go twice as far. Tell us very specifically what our contribution is going to do. Then get out.
And that anniversary announcement? Save it for the 100th, for goodness sake. Assuming this Foundation actually is doing good work, I hope they’ll be around that long. Meanwhile, this one goes straight to the Badvertising Hall of Shame.
July 15th, 2013 — Everything else, Words and writing
Ben Serotta explains the “quality of time”
Last month I got a tour of Serotta Bicycles, a world-renowned high-end facility located in my little town of Saratoga Springs, New York. These bikes cost from $4800 to over $28,000—and that’s just the frame. But the painstaking details make it seem worthwhile—from a machining process that can take a stock titanium tube and give it 3 different diameters and three different thicknesses, so it has light weight along with the perfect balance of strength and flex at every point along its length. The total process from beginning to end takes about 40 hours to produce a finished frame; the shop turns out an average of 3 per day.
All the other visitors were current owners who’d come to see the mother lode, and there were esoteric questions about discontinued models and “why don’t you use steel anymore?” (Google that one with Serotta in the search box.) Finally I had to ask the question, why does it take 40 hours instead of 39 or 41? How do you know when it’s done?
Founder and President Ben Serotta said it’s about the “quality of time”. He wouldn’t amplify on that and when I asked a local bike evangelist and Serotta enthusiast to explain it to me, he was silent. So there’s a bit of mysticism afoot here and I will make a couple of educated guesses.
Frames are aligned after every assembly stage, making this the most important machine in the shop
First, quality of time means diminishing returns. As nearly perfect as these bikes are, the finish will never be completely immaculate. (Even though in the final polishing step they use 2500 grit sandpaper, which feels as smooth as a baby’s bottom.) There’s got to be a point when an hour produces so much less benefit than the hour preceding it that you’re spending your own money or raising the price for no good reason, so you stop. Second, bicyclists spend a lot of time in the saddle. If incredibly subtle details can make for a more productive or efficient or competitive ride and so improve their quality of time, they’re worth doing.
Both these hypotheses have application in copywriting. As a creative practitioner, I charge several times what a junior copywriter would charge and there are people who charge several times more than me. Here the time you are paying for is experience—the knowledge and instinct based on past work that a particular message and way of presenting that message will work better than all others. It’s probably not necessary to hire a senior copywriter to write a coupon for your dry cleaning establishment; someone who can follow basic common sense marketing rules (and mayn can’t) will be fine. But if you’re planning to mail millions of people or launch an elaborate website, then the cost of the creative becomes a relatively minor one and it pays to pay more for the best.
Final step: polishing with 2500 grit sandpaper
The other way to look at “quality of time” is in the experience of the user—the prospect or retail customer who is the recipient of your message. The more time you spend understanding that person’s preferences and motivations—whether through research or hunches—the better their experience is going to be when they receive your message and the more likely they will respond positively.
I may never be able to afford a Serotta bike but it’s something to aspire to—especially because the way to making the money to buy one lies in maximizing my own quality of time.
June 21st, 2013 — Marketing, Tech, Words and writing
The other day a marketing colleague asked me to write him an email which he’d pass along to his CEO, about why I should be hired to write technical copy. Feel free to use these selling points in your own self-marketing, assuming of course they apply.
The first thing I believe about tech writing is that you need to understand the product—-not necessarily on a programmatic level, but the problem it solves, and why it does this better than other options. I’m not a scientist but I love to learn how things work.
Secondly, I believe that technology buyers are people with the same personal motivations as those buying consumer products. They want to be secure, avoid conflict and achieve recognition and in an indirect way technical products help them do this. They get promoted because they’ve contributed to the bottom line. They get to go home on time instead of staying to placate angry users.
Finally, I always ask to interview the sales team so I can understand the objections that are typically raised and the hot buttons that get prospects excited about the product. I go to CES most every year (and attended Comdex before that) and spend most of my time hanging back near kiosks to watch sales engineers do technical presentations.
I believe these steps are missing in a lot of the copy I read for technical companies which reads like a laundry list of specs. I spent most of my career working in the Bay Area, and my work was typically lead generating direct response that was tested against other messages and I usually won.
To my fellow copywriters, I’ll add that I won consistently not so much because I was a dramatically better writer, but because I was diligent in my preparation. As Yogi Berra may have said, half of success is showing up.
May 3rd, 2013 — Everything else, Marketing, Non-profit
Values.com billboard in Latham, NY
I pass this billboard frequently on a busy highway in upstate New York. It has multiple inspirational headlines stacked like cordwood: Driven/ Innovation/ Pass It On/ Values.com. To the left, a photo of Henry Ford (we know it’s him because there is a caption that says Henry Ford), driving (not being driven in) an early horseless carriage. The net effect is too much of a good thing, and I see it all the time, so I finally had to write about it.
Part of the problem is that the placement is a stone’s throw from Troy, NY, birthplace of the Arrow shirt, the cast iron stove, Uncle Sam and The Night Before Christmas among innovations. It sticks in our craw that they chose a non-local for their innovator. But the bigger issue is the multiple inspirational sayings when just one or two would do. It’s like too much candy on Halloween.
I headed over to Values.com to learn more about exactly what inspires them to inspire. It’s an interesting website. You can’t join them or give them money or get money from them; they’re doing this because “We believe that people are basically good and often benefit from a simple reminder.” Fair enough, and a good reason they deserve a little gentle nudging to make sure those reminders are effective.
There’s a section on the website called “Billboards” and on it you can create your own values billboard and look at it online, or look at billboards others have created. Each has one photo, one headline and one value and works a lot better than Values.com’s “Driven” effort. Give it a try. (But be sure your inspiration is not something naughty like “beer” or you’ll get a server error.)
By the way, what the website does not say is that Values.com is apparently funded by evangelical Christian Phillip Anschutz, who according to Wikipedia has also funded a think tank that criticizes evolution and a ballot initiative designed to overturn local and state laws that prohibit discrimination against individuals on the basis of sexual orientation. If I were Mr. Anschutz, I would identify myself and make my case on the website rather than leaving it to the curious visitor to go googling and draw their own conclusions.
April 29th, 2013 — Marketing, Words and writing
Bose speaker ad
We’re back as promised to that corridor of horrors where tyro copywriters go to die. But this time we’ll focus on the context in which your headline/outer teaser is read and include a couple of positive examples.
First, some badvertising from Bose on the back of a Sunday newspaper insert… about as broad a demographic as you can find. “If you think watching TV is exciting, wait until you really hear it.” There are two things wrong here. First, the copywriter assumes universal agreement that “watching TV is exciting”. If it’s not a head-nodder then the reader is lost. But do we all agree that “watching TV is exciting”? Not likely. Second, there’s an intellectual contortion required to stay with the writer’s train of thought. When you switch from one action mode to another (watching… to listening) that’s some heavy lifting for the reader to do in their mind’s eye. Not likely they will stay around for the body copy, and neither shall we.
Wall Street Journal “welcome back”
Now look at this envelope from the Wall Street Journal: “Welcome Back”. Apparently I renewed after a lapse but don’t remember doing so; naturally, I’m going to open the envelope to see what I agreed to. And when I get inside it turns out this is their standard “professional courtesy discount” offer; they WANT to say welcome back and maybe I will feel a little guilty about getting an offer that maybe I’m not entitled to so you can guess I’ll jump on that. The two simple words “Welcome Back” do a brilliant job of framing the conversation and getting me involved.
Coke Zero “don’t read” banner
Same thing with this Coke Zero banner that ran during the NCAA championship game: “Don’t read this banner. There’s basketball on.” Well, of course I’m going to read it because I can’t not do so. But in this chest-bumping environment I will give you huge points for the apparent cool factor. Yet it actually ties perfectly into their tag line, “enjoy everything”.
The copywriters on the WSJ and Coke Zero projects thought about the environment in which the prospect is viewing the ad, and meet them on their own turf. The Bose copywriter asked readers to switch from what they’re doing to what the writer wants them to think about. Which is better and more effective?
April 3rd, 2013 — Marketing, Non-profit, Words and writing
What buses? Where are we going?
It’s been far too long since we’ve visited the Badvertising Hall of Shame… that corridor of horrors where unfortunate marketers teach us by example what NOT to do. Let’s begin with this outer envelope teaser from Fresh Air Fund.
This is a seasonal appeal I used to struggle with when doing work for Salvation Army… the “send an inner city kid to camp” fund. It seemed less urgent than putting food on the table or rescuing a child from the streets, and it was complicated because you’d have to create a word picture of why this was important before the reader got away. No missteps are permissible.
So look what Fresh Air Fund has chosen as its teaser: The buses are leaving soon… please hurry! What buses? Am I supposed to be on one? Why on earth does this not say instead, “The bus is about to leave for camp without me… please help!” (Singular better than plural because it’s more specific, and let’s mention the reason for the appeal for chrissake.) Also, while camps are universally recognized as a good thing buses are not. Seems like a terrible choice for the opening salvo in this appeal. Next.
Do you believe this?
From… I don’t know who because I never opened it… I have a blind outer with nothing but PERSONAL AND CONFIDENTIAL printed above my name. Maybe I notice the “standard postage” indicia that spoils the illusion, but maybe I don’t; they’ve done a good job of designing something that looks like a real meter imprint.
But, look what’s above my name: PREPARED FOR: Okay, that’s too much and it’s also discordant with PERSONAL AND CONFIDENTIAL which suggests a very individualized letter, maybe a collection notice, whereas PREPARED FOR suggests a mechanized process like maybe a refund. Either would have been good on its own, together they cancel each other out. The blind outer has lost its intrigue so out it goes.
When did the 72 hour sale begin anyway?
Finally we have this from Pella: OPEN IMMEDIATELY: 72-hour event ends soon. Well, is it 72 hours or isn’t it? If it is, it ends in 72 hours, not “soon”. The contradiction completely bursts the bubble of urgency and anticipation. Also, since this is clearly a piece of advertising mail, there needs to be more reader context, eg “Hurry! You’ve only got 72 hours to save” or “Open for your private invitation to our 72 hour preferred customer sale”.
That’s enough for today. Three examples in which the client or product manager is wondering why their mailing was not more successful, when in each case the fault lies with the copywriter who is probably making mischief on another campaign right now. I’ll have a couple more good ones in my next post.